| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| Sub-Bass generator, combining filtered input signal ("SubBand") and an input-level triggered sinewave ("SubTone") with waveshapers and a delay. | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| Turns vocals into 3 different speaking droids in parallel. Type and level controls for each individually. Turns everything non-vocal into an ugly metallic mess. | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| THEY put something in my Coffee. Yeah, right...whatever. | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| Dual Comb-filters, one with envelope follower and both with LFOs, feeding a resonant reverb-ish effect. The mad brother of Mr. Hollowhead. | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| Somewhere between a flanger and a phaser. The LFO rate is controlled by input amplitude. | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| Parallel Lowpass and Bandpass Filters, amplitude-following. | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |
| | Native Instruments | Absynth | | | nabs | Absynth 5 Factory Content |