| break, fill in
MASSIVE
This drum computer is "massive" in at
least two ways.
First, it contains a vast range of signal-shaping capacities: samples in the six drum tracks don't determine the instrument's sound (like in a standard drum machine), but only provide the material from which the beats can be sculpted. Envelopes, filters, and a potent grain re-synthesis algorithm mangle the fundamental sound until it is completely different, but still musical.
Second, these versatile sound editing features are combined with an advanced step sequencer system offering copy and (looped) paste functionality, three different roll modes, a triplet mode, independent loop length for each of the six drum tracks, three modulation tracks whose signal can be routed to nearly every parameter of the sound engine - the list of features could be continued.
Instrument: Mike Daliot
Sounds: Jörg Remmer-Müller
Interface: Pfadfinderei
Version: 1.1
| Native Instruments | Reaktor | | | ens | Reaktor Factory Library |
| MASSIVE
This drum computer is "massive" in at
least two ways.
First, it contains a vast range of signal-shaping capacities: samples in the six drum tracks don't determine the instrument's sound (like in a standard drum machine), but only provide the material from which the beats can be sculpted. Envelopes, filters, and a potent grain re-synthesis algorithm mangle the fundamental sound until it is completely different, but still musical.
Second, these versatile sound editing features are combined with an advanced step sequencer system offering copy and (looped) paste functionality, three different roll modes, a triplet mode, independent loop length for each of the six drum tracks, three modulation tracks whose signal can be routed to nearly every parameter of the sound engine - the list of features could be continued.
Instrument: Mike Daliot
Sounds: Jörg Remmer-Müller
Interface: Pfadfinderei
Version: 1.1
| Native Instruments | Reaktor | | | ens | Reaktor Factory Library |